This combination of photos shows Hannah Dooling posing with her longboard outside Daddies Board Shop in Portland, Ore., in December 2021, left, and Yun Huang posing with her longboard in Santa Monica on Aug. 31, 2022. Longboard dancing is still in its infancy. But fans say the skate/dance hybrid has already spread in southern California, Paris, Seoul and other places with public squares or wide, open sidewalks. (Devon Hubner, via AP, left, and Laura Paragano via AP)
SANTA MONICA, Calif. (AP) — This winter’s been a hard one in Southern California. Highways flood and the rain keeps coming. Pedestrians pick their way across fallen cypress trees, around puddles on sidewalks roped off with caution tape. Between fire, flood, and drought, sometimes it feels like the end of the world.
But tonight, there’s a break. Just east of the Santa Monica boardwalk, a dozen or so longboarders cruise in loping patterns along the empty stretch of South Lot 4, a mostly empty parking area.
Hannah Dooling glides down the pavement, earbuds hidden by long brown hair tucked beneath a baseball cap. She steps off her longboard, flips it in a semi-circle in the air while taking a few running steps, and hops back on the board, landing with a resounding thud.
“That’s cool, right?” another woman asks.
It is, in fact, really cool. The trick is the half moon, named for the arc the board makes in the sky, and it’s one that Dooling, 30, has shown other women how to master. They include Yun Huang, a 33-year-old tech worker, and Jane Kang and Christie Goodman, both 29, who work as a nanny and real estate agent, respectively.
They’re all here in wide-leg pants and zero-drop sneakers for the longboard session, bundled against the wind in hoodies, puffer coats or trucker jackets.
They get together most Saturday and Sunday afternoons if the weather’s good, at meetups supported by Dancing Foundation, a non-profit started with a matching grant from Google by Achille Brighton, a 39-year-old software engineer.
Longboard dance is still in its infancy, but Brighton says it has already spread — here, in Paris, in Seoul — anywhere with public squares or wide, open sidewalks where people can watch.
“You don’t need skate parks. You just need roads,” he says. “And because you do it in public, you’re out there, people see it. And they’re like, ‘Oh, that’s kind of cool.’”
Originally designed for surfers entertaining themselves between sets, most longboards range from 3 to 4 feet in length, about a foot longer than traditional skateboards. The longer decks can be cumbersome, but also graceful. They’re used for carving sidewalk turns and bombing hills, as well as longboard dancing, a skate/dance hybrid that fuses movement, music and danger.
“When you’re doing longboard dancing, you’re listening to music, typically, and you’re moving your body to the beat,” Brighton says. “There’s this effect where the rest of the world melts away. And I think that is like one of the things that gets you addicted.”
Dooling was an early adopter, learning how to skate in Seattle. If anyone wants to learn a trick, she can probably show them how. She works remotely for Amazon and moved to L.A. with her partner in 2021 during “peak COVID,” not knowing anyone. Skating was a way to find community.
Huang, a native of Melbourne, Australia, started skating during the pandemic. Some days, her board and her dog were the only things that would get her outdoors and moving.
“We were all kind of depressed from COVID,” she says. “I tried meditation before. That didn’t work for me, but I felt like I could really be in the zone with this.”
At first, Huang just wanted to learn how to skate. Then she got sucked into “the longboard dancing hole of Instagram,” where a 30-second clip can be posted with music. That’s how Huang learned about Brighton and Longboard Dancing Los Angeles.
Says Dooling: “As a woman, skating can feel intimidating and not welcoming.” But during the pandemic, people were connecting through social media, finding their niche.
Longboard dance was featured in a commercial for Facebook Groups during the 2021 Tokyo Summer Olympics, showing skaters of different genders, races and nationalities finding each other online. You could watch reels and think, “I identify, or I see myself, or connect with the people that I’m seeing doing this,” Dooling says.
Goodman, flashing a “rock on” sign with her index and pinky finger, says, “I was like, Tony Hawk!” The women laugh, but Goodman is semi-serious. “Yeah! I was obsessed with him! And now I’m like, I can do some of those tricks!”
The four women jump in and out of conversation, their speech overlapping. Kang is the most reticent, a former dancer attracted to the sport’s grace. Dooling is unassuming yet self-assured, a quietly rebellious “solo sporter” who grew up snowboarding and practicing Tae Kwan Do. Huang, also a snowboarder, sports a sea-green manicure and dark hair balayaged into blonde.
Goodman is animated, her long red hair moving with her as she gesticulates.
“Don’t laugh at me, I’m fulfilling my 12-year-old dreams, OK?” she says.
Goodman first stepped on a skateboard in 2021. Now she’s sponsored, as is Huang.
Goodman does downhill, descending inclines at rapid speed. It’s dangerous; it’s exciting; “it brings up all the emotions,” she says.
The thing that ties together longboarding and longboard dancing is danger, Brighton says. You might miss a step; you might fall; you might get hurt, he says. “And that’s the exciting bit.”
Brighton has ADHD and falls on the autism spectrum, he says. Longboarding attracts a neurodiverse community, says Goodman, who also has ADHD. “It’s, like, seeking that adrenaline,” she says.
On a longboard, Brighton says, he doesn’t have to try to concentrate. It’s built into the movement. If you don’t pay attention, you’re going to get hurt, he says.
“You’re on a board. Your brain now needs to learn not only where the body is, but also where the board is, and how the board is moving with relation to the ground,” he says. Longboarders “jump in and out of two different planes of movement… You need to be able to keep track of those two states.”
When one of the women lands a new trick, “we fully celebrate,” Goodman says. They hang out after sessions, walking up to Samosa House on Main St., Jameson’s, or Venice Beach Bar, which you can skate down to.
The sun is lowering on the horizon, which is thick with clouds. The sand has turned gray and damp. Waves and wind have pushed sand onto the boardwalk, where it swirls and drifts in marbled patterns punctuated by footsteps, stroller wheels, and the tire patterns of a bike caravan glowing with LED lights, revolutions of pink and green slowly cycling towards the Ferris wheel.
The women, shivering in ripped jeans, want to make the most of the light that’s left. “We need to move,” Huang says, and, laughing, they glide off into the sunset.
